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Kreisleriana, Op. 16, is a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte. Schumann claimed to have written it in only four days in April 1838 [1] and a revised version appeared in 1850.
Gesänge der Frühe (Songs of the Morning), Op. 133, is a composition in five movements by Robert Schumann for solo piano. A performance takes about 13 minutes. Composed in October 1853, it is one of Schumann's last compositions, composed three years before his death. By the time he began work on these pieces, he was suffering from mental and ...
Robert Schumann. This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on ...
Robert Schumann [n 1] (/ ˈ ʃ uː m ɑː n /; German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and music critic of the early Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber groups, orchestra, choir and the opera. His works ...
Schumann in a Josef Kriehuber etching from 1839, the year preceding his marriage to Clara. It was at this time that he began to compose vocal music prolifically. The following is a list of the complete vocal output of Robert Schumann (8 June 1810 – 29 July 1856). Schumann was one of the most prolific composers of the nineteenth century.
Waldszenen (Forest Scenes), Op. 82, is a set of nine short solo piano pieces composed by Robert Schumann in 1848–1849, first published in 1850–1851 in Leipzig by Bartholf Senff. [ 1 ] On the set, Schumann wrote: "The titles for pieces of music, since they again have come into favor in our day, have been censured here and there, and it has ...
Schumann is often criticized for using structure merely as a framework on which to spread the themes. The resultant ‘incoherency’ is often attributed to the composer's declining mental health. The fact though remains that Schumann's predilection for allusions has rendered many relationships too subtle for the (non artistic) analyst's senses.
Pages in category "Chamber music by Robert Schumann" The following 7 pages are in this category, out of 7 total. ... This page was last edited on 1 February 2016, at ...