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In Chinese night paintings, the moon often symbolizes loneliness of the painting's character. It also sets the mood for a romantic setting. Chinese paintings also depict mythological characters who symbolize moonlight activity, such as Yue-Laou, the "old man of the moonlight" and Chang'e, the Chinese goddess of the moon. [citation needed]
Over the years [the Queen of the Night] has indeed grown better and better, and more and more interesting. For me she is a real work of art of the Old Babylonian period." In 2008/9 the relief was included in exhibitions on Babylon at the Pergamon Museum in Berlin, the Louvre in Paris, and the Metropolitan Museum of Art in New York. [44]
Different forms of art have been influenced by great philosophers, teachers, religious figures, and even political leaders. Chinese art encompasses fine arts, folk arts, and performance arts. Chinese art is art, whether modern or ancient, that originated from or is practiced in China or by Chinese artists or performers.
"Night-Shining White" (Chinese: 照夜白圖) is a monochrome ink-on-paper painting by the Chinese artist Han Gan. It is an example of Tang dynasty painting, created in the middle of the 8th century (circa 750). The work depicts a cavalry horse owned by the Emperor Xuanzong (reign 712–56) of the Tang dynasty, tethered to a post. It is ...
The Norse night goddess Nótt riding her horse, in a 19th-century painting by Peter Nicolai Arbo. A night deity is a goddess or god in mythology associated with night, or the night sky. They commonly feature in polytheistic religions. The following is a list of night deities in various mythologies.
1) Create articles specific to China and Japan with a "main" link to Night in paintings (Eastern art): Night in paintings (China) Night in paintings (Japan) 2) Make the China and Japan sections in the Night in paintings (Eastern art) article about the same length (summarized, less images) - similar to the other country/religion sections.
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After meeting E. B. Havell, Tagore worked with him to revitalise and redefine teaching of art at the Calcutta School of Art, a project also supported by his brother Gaganendranath, who set up the Indian Society of Oriental Art. Tagore believed in the traditional Indian techniques of painting.
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