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Baltimore is the fourteenth studio album by American singer-songwriter and pianist Nina Simone, released in January 1978 by CTI Records. Due to a lack of promotion, and Simone's dissatisfaction with the record, It became a commercial failure, failed to chart, and also received mixed reviews from critics.
His sophomore full-length, Dust to Gold, arrived in 2016. Jacobs and Ivan Neville recorded an album together as Neville Jacobs in 2017. [7] In 2019, he released his third solo album, Color Where You Are, on Blue Rose Records. [8] Jacobs holds an annual Christmas concert in the Washington, D.C. area called A Very Jerry Christmas. [9]
"Pyar Karna Hai" 799 "Ruk Ja Tu" 800 "Tere Bina" Dahek: 801 "Sawan Barse Tarse Dil" Anand–Milind: 802 "Koi Kaha Kare" Devi: 803 "Tu Meri" Devi Sri Prasad: Dil Ka Sauda: 804 "Ranjhe Ki Kasam" Baba Jagirdar Udit Narayan Earth: 805 "Banno Rani" A. R. Rahman: Javed Akhtar solo Gair: 806 "Mera Dil Meri Jaan" Anand–Milind: Ganga Ki Kasam: 807 ...
Hammerjacks was a music venue in downtown Baltimore which operated from 1977 to 2006. It was founded by Louis J. Principio III. The club attracted many big-name national acts, but also showcased many rising stars in the music world.
In 2002, they were briefly featured on the television show The Wire which is set in their hometown of Baltimore, Maryland. The original line-up of the band consisted of Paul Weinberg on drums and Ryan Porter on bass. Porter and Jacobs went to high school together, where they were in a band called Big Fat.
Local music in Baltimore can be traced back to 1784, when concerts were advertised in the local press. These concert programs featured compositions by locals Alexander Reinagle and Raynor Taylor, as well as European composers like Frantisek Kotzwara, Ignaz Pleyel, Carl Ditters von Dittersdorf, Giovanni Battista Viotti and Johann Sebastian Bach. [1]
The Softones were an American male singing group from the city of Baltimore, Maryland, best known for their 'sweet' soul recordings of the 1970s. The group was notable for lead singer J. Marvin Brown's high falsetto, similar to that of The Stylistics' lead singer Russell Thompkins Jr. and Earth, Wind & Fire's Philip Bailey, and derived from Eddie Kendricks' falsetto style with The Temptations.
The Pockets' second album, Take It On Up, was released in 1978 on Columbia Records. The LP was executively produced by Maurice White with Verdine White and Robert Wright also serving as producers. [10] The album reached No. 22 on the Billboard R&B Albums chart. [11] The LP's title track reached No. 24 on the Billboard R&B singles chart. [12]