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True titles are specific to a single work. These are titles given by the composer, much as an author titles a novel. True titles are always italicized: From me flows what you call time; Pelléas et Mélisande; When true titles are mixed with generic titles, as is often the case in overtures and suites, only the true title is italicized. The ...
Use {{Italic title}} to italicize the part of the title before the first parenthesis. Use {{Italic disambiguation}} to italicize the part of the title in the parenthesis. Use the {{DISPLAYTITLE:}} magic word or {{Italic title|string=}} template for titles with a mix of italic and roman text, as at List of Sex and the City episodes and The Hustler.
Often, works are known by a nickname or common title. In this case, the nickname is specified after the formal title in parentheses and quotation marks. When the nickname is used in prose, it is enclosed in quotes. Song titles are enclosed in quotes. True titles of song cycles are italicized. Foreign language song titles remain in roman type.
This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations ...
Still another appears in the Franklin Square Song Collection for 1885 under the title "American Cradle Song" in a version by R. J. Burdette. [17] More lullabies followed in much the same format, including variations on the completely separate song "Rock-a-bye, baby, thy cradle is green" (Opie #23), [ 18 ] until the ultimate transformation into ...
Quotation marks should be avoided, except for the name of a theme in a set of variations in a generic article title: Twelve Variations on "Ah vous dirai-je, Maman" Variations on "I Got Rhythm" Otherwise the use of quotation marks in generic artitle titles is limited to a very few cases: Concerto in E-flat "Dumbarton Oaks"
There are many articles with series titles in italics, including the article titles in some cases. Before changing lots of them, and since there hasn't been a lot of discussion, can we confirm that quotation marks should be added (except in article titles) and italics should be removed for the titles of series.
Attributed the song to William Swords, an actor at the Haymarket Theatre of London. The identity of "Bingo" in the song is formally ambiguous. Bobby Shafto's Gone to Sea 'Bobby Shafto' United Kingdom 1805 [22] 18th century British politician Bobby Shafto is a likely subject for this song. Bye, Baby Bunting: Great Britain 1731 [23]