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The dumb waiter of the title refers to the serving hatch and food lift that delivers orders to the gunmen. It could also refer to Gus, who fails to realise that he is waiting to be the victim, or even to Ben, whose obedience to a higher authority eventually forces him to eliminate his partner.
The dialogue begins as an apparently ordinary celebratory meal for the diners developing into a complex weaving of more sinister themes, including undercurrents of love/hate relationships and incest. The play ends with a mysterious (and 'incomplete') speech from the waiter, which hints at a possible way to escape the pain of everyday life.
It featured productions of seven of Pinter's plays: The Caretaker, Voices, No Man's Land, Family Voices, Tea Party, The Room, One for the Road, and The Dumb Waiter; and films (most his screenplays; some in which Pinter appears as an actor). [168] In February and March 2007, a 50th anniversary of The Dumb Waiter, was produced at the Trafalgar ...
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Among the most-commonly cited of Pinter's comments on his own work are his remarks about two kinds of silence ("two silences"), including his objections to "that tired, grimy phrase 'failure of communication'," as defined in his speech to the National Student Drama Festival in Bristol in 1962, incorporated in his published version of the speech entitled "Writing for the Theatre":