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Caroline Weldon (born Susanna Karolina Faesch; 4 December 1844 – 15 March 1921) was a Swiss-American artist and activist with the National Indian Defense Association.. Weldon became a confidante and the personal secretary to the Lakota Sioux Indian leader Sitting Bull during the time when Plains Indians had adopted the Ghost Dance move
Sloane studied art and lettering with Goudy. In the summer of 1925, Sloane left home at the age of twenty to make a living for himself. Working his way across the country as a sign painter, he created advertisements for the likes of Red Man to Bull Durham. Unique hand calligraphy and lettering, developed during this period, later became a ...
The "great white heron" could be confused with the great egret (Ardea alba), but is larger, with yellow legs as opposed to the great egret's black legs. The reddish egret ( Egretta rufescens ) and little blue heron ( Egretta caerulea ) could be mistaken for the great blue heron, but are much smaller, and lack white on the head and yellow in the ...
Al Hirschfeld was born in 1903 in a two-story duplex apartment at 1313 Carr Street in St. Louis, Missouri. [2] [3] His father, Isaac, was a German Jewish traveling salesman, while his mother Rebecca was from a family of strict, Russian Orthodox Jews; his maternal grandparents refused to eat in his parents' non-kosher home. [4]
As women entered the artist community, publishers hired women to create illustrations that depict the world through a woman's perspective. Brownscombe's work expressed a sentimental viewpoint, as in Love's Young Dream and a feminine perspective is evident in The First Thanksgiving at Plymouth which depicts a woman in the foreground with her two ...
In Britain, extra-illustration is frequently called grangerising or grangerisation, after James Granger whose seminal book Biographical History of England from Egbert the Great to the Revolution—published in 1769 without illustrations—quickly prompted a fashion for portrait-print collecting and the incorporation of prints and drawings into the printed text.
By age ten, she was imitating Salvador Dalí, experimenting with stretched objects painted with oils, before graduating to copying black-and-white photos from the encyclopedia. [3] She was influenced by the stained glass windows of the church where she attended Mass daily, saying, "There was a kind of luminous quality about them, a glow, that ...
The grey, black, and white painting, on a canvas 3.49 meters (11 ft 5 in) tall and 7.76 meters (25 ft 6 in) across, portrays the suffering wrought by violence and chaos. Prominently featured in the composition are a gored horse, a bull, screaming women, a dead baby, a dismembered soldier, and flames.
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