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Biyiniao appeared in Han [2] and Goguryeo tomb art, [5] and has evolved into a popular cultural symbol of steadfast affection. The famous poem "Changhenge" or "Song of Everlasting Regret" by Bai Juyi (772–846), which retells the love story between Emperor Xuanzong of Tang and his consort Yang Yuhuan, invoked this metaphor, [6] as did poetry by Cao Zhi (192–232) and Chen Weisong (1626 ...
A wingless bird, fleeting to heaven from earth. Each eye that meets me weeps, but not from grief, And in thin air I vanish at my birth. (xiv.5) A blackened lump am I-and fire begat me: My mother was a tree on mountain steep. I save from wounds the chariot of the sea, If my sire melts me in a vessel deep. (xiv.61)
Gamayun is a prophetic bird of Russian folklore. [1] It is a symbol of wisdom and knowledge and lives on an island in the mythical east, close to paradise . [ citation needed ] She is said to spread divine messages and prophecies, as she knows everything of all creation, gods, heroes, and man.
Shamanic teacher and spiritual healer Dr. Jonathan Dubois has studied hawk symbolism extensively. "The hawk is a magnificent bird, soaring up on the warm air currents and rising above to gain a ...
A conifer cone, or in formal botanical usage a strobilus, pl.: strobili, is a seed-bearing organ on gymnosperm plants, especially in conifers and cycads. They are usually woody and variously conic, cylindrical, ovoid, to globular, and have scales and bracts arranged around a central axis, but can be fleshy and berry-like.
The cone was apparently held up in the right hand, the bucket held hanging downwards in the left hand of the figure, which is almost always that of a winged genie or an animal-headed demon or mythical composite (similar to the demon antagonist Anzû, though not necessarily with the same malicious connotations); only very occasionally [citation ...
While the second half of the word, -wang, is widely acknowledged to mean 'field' (and its cognate waggs appears for 'paradise' in Gothic), scholars have yet to reach an agreement regarding the first element's meaning – though at least a dozen attempts to interpret it have been made. [1]
They are renowned for their dance, song and poetry, and are a traditional symbol of feminine beauty, grace and accomplishment. Edward H. Schafer notes that in East Asian religious art, the kinnara is often confused with the Kalaviṅka, which is also a half-human, half-bird hybrid creature, but that the two are actually distinct and unrelated. [3]