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OBS Studio is a free and open-source app for screencasting and live streaming.Written in C/C++ and built with Qt, OBS Studio provides real-time capture, scene composition, recording, encoding, and broadcasting via Real-Time Messaging Protocol (RTMP), HLS, SRT, RIST or WebRTC.
Crossclip is a video converter website that allows users to convert, edit and share live streaming content across multiple platforms. [6] Willow is a link-in-bio link tool designed to help users increase revenue and make their links more discoverable. It includes a tipping feature and allows users to tip directly on the page.
[12] [13] Customers of the site can purchase virtual tokens, which can be used to tip performers or watch private shows. [12] [14] [15] Customers can use text-based live chat to talk to each other or in each performer's channel. The performers use a webcam and microphone to broadcast live video and audio to their channel.
On some live streaming platforms, such as Douyu and Huya Live, viewers can tip the streamers in the form of virtual gifting. [26] Streamers can also become sponsored, or offer rewards in the form of competitions or games to the viewers in order to promote their channel and increase viewership and monetization.
On June 16, 2023, Kick announced that xQc signed a two-year, $70 million non-exclusive deal to the platform, with incentives that could increase the deal's value to $100 million. This made the signing of xQc to Kick the largest streaming deal, surpassing Ninja 's $50 million exclusivity deal with the defunct Microsoft -owned Mixer .
Enshittification, also known as crapification and platform decay, is the term used to describe the pattern in which online products and services decline in quality over time.
Few capture in standard TV-video formats (480p60, 720p60, 1080i30), recording in either non-TV resolutions (320x240, 640x480) or slower frame rates (15 or 30 fps). A multipurpose device used as a camcorder offers inferior handling, audio and video performance, which limits its utility for extended or adverse shooting situations.
The Local Ownership Index, created by Future of Music Coalition, shows that the localness of radio ownership has declined from an average of 97.1% to an average of 69.9%, a 28% drop. [4] Polgreen asserts that the buying frenzy following the Telecom Act drove up station prices beyond the reach of the typical entrepreneur, making it difficult for ...