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The song "Dark Ballet" by American singer-songwriter Madonna samples the melody of Dance of the Reed Flutes (Danish Marzipan) which is often mistaken for Dance of the Sugar Plum Fairy. The song also relied on the lesser-known harp cadenza from Waltz of the Flowers.
Songs included in the film, but not on the soundtrack are as follows: "Summertime Blues" - Eddie Cochran "Boogie Wonderland" - Earth Wind & Fire ft. The Emotions "Waltz of the Flowers" - Pyotr Tchaikovsky "The Ballad of the Green Berets" - Barry Sadler "The Gold Diggers' Song (We're in the Money)" - Harry Warren "Theme From 'Jaws'"- John Williams
Description: Russian composer, librettist, conductor, choreographer, music educator and pianist: Date of birth/death: 25 April 1840 (in Julian calendar) : 25 October 1893 (in Julian calendar)
Music of The Lord of the Rings film series: 2007 [98] "The Man I Love" Sissel Kyrkjebø Ira Gershwin George Gershwin: Reflections II: 2019 [99] "The Masquerade is Over" Sissel Kyrkjebø Herb Magidson Allie Wrubel: Reflections II: 2019 [100] "The Nutcracker Suite, Op. 71a: Waltz Of The Flowers" Sissel Kyrkjebø Pyotr Ilyich Tchaikovsky ...
A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...
The metaphor of this song builds on an earlier scene when Gretl presents a bouquet of edelweiss flowers to Baroness Elsa Schräder, during the latter's visit to the von Trapp household. Rodgers provided a simple, yet haunting and affecting, waltz -time melody, to the simple Italian style ritornello lyric that Hammerstein wrote about the ...
Anyway, check out the full lyrics to “Flowers” (via Genius) below in case you want to scream-sing along in the shower, etc., etc. We were good, we were gold Kind of dream that can’t be sold
The first waltz theme is a familiar gently rising triad motif played by cellos and horns in the tonic (D major), accompanied by the harp; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.