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Canon New FD lens mounting surface.. The FD lens mount is a breech-lock mount, which is a variation of the common triple-flanged bayonet attachment. The advantage of the breech-lock over the bayonet is that neither the contact surfaces between the body and lens, nor the signalling mechanisms, rotate against each other when the lens is mounted.
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The bayonet mount began to be superseded around 1980 by the Arri PL mount, which has since become an overwhelmingly predominant mount for most modern cameras, along with Panavision and their PV mount. Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock".
A technique for allowing a camera to be pre-focussed to a defined spot, and the exposure is only made when a subject is in focus at that spot. Also called trap focus. CMOS: Complementary metal oxide semiconductor. A semiconductor technology, used to create photosensor arrays for some digital cameras. [4] CMYK: CMYK color model. A subtractive ...
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The most obvious external difference relative to Soviet analogs is the reduced number of KMT mounting points on the lower hull glacis plate. It is the first version to feature ceramic sand bars "kwartz" rods in the turret cavity and 16 mm (0.63 in) High Hardness Steel appliqué armor on upper glacis. T-72M1D – Polish designation for T-72M1K. [94]
Retort stand. In chemistry, a retort stand, also called a clamp stand, [1] a ring stand, [2] or a support stand, [3] is a piece of scientific equipment intended to support other pieces of equipment and glassware — for instance, burettes, test tubes and flasks. [4] The typical ring stand consists of a heavy base and a vertical rod, both ...
Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335 (equivalent to US$6,182 in 2024). [1]: 334 RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. [1]: 231
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