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Alternately, "politicization of aesthetics" (or "politicization of art") has been used as a term for an ideologically opposing synthesis, [2] wherein art is ultimately subordinate to political life and thus a result of it, separate from it, but which is attempted to be incorporated for political use as theory relating to the consequential ...
In the preface to the essay, Benjamin presents Marxist analyses of the organisation of a capitalist society and of the place of the arts in a capitalist society, both in the public sphere and in the private sphere; and explains the socio-economic conditions of society to extrapolate future developments of capitalism that will result in the economic exploitation of the proletariat, and so will ...
The theme of the aesthetic justification of existence Nietzsche introduced from his earliest writings, in "The Birth of Tragedy" declaring sublime art as the only metaphysical consolation of existence; and in the context of fascism and Nazism, the Nietzschean aestheticization of politics void of morality and ordered by caste hierarchy in ...
Download as PDF; Printable version; ... Aestheticization or Aestheticisation can refer to: Aestheticization of politics; Aestheticization of violence ...
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics , the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well ...
part i, essay iii, that politics may be reduced to a science; part i, essay iv, of the first principles of government; part i, essay v, of the origin of government; part i, essay vi, of the independency of parliament; part i, essay vii, whether the british government inclines more to absolute monarchy, or to a republic
The book is a response to previous writings within critical theory on the subject of art, notably those of Walter Benjamin and Theodor Adorno.Marcuse rejected Benjamin's call in "The Work of Art in the Age of Mechanical Reproduction" for the politicization (i.e., a literal reflection of perceived political realities) of modern, reproducible art both to reflect the state of a society and to ...
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.