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Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
Red Rocket is an internal PCI Express card that is capable of 4K, 2K, or 1080p real-time debayering and video playback of R3D files coming from Mysterium and Mysterium-X sensors. It can be used to accelerate video editing in compatible Non-linear editing systems, outputting the image via HD-SDI to a user-supplied monitor.
The Millennium DXL is the first camera to capture 4K anamorphic at 21 megapixels. With the 8K HDR sensor, this camera is optimized for Panavision large format lenses, including the Sphero 65, System 65, Super Panavision 70, Ultra Panavision 70, and the new Primo 70 and Primo Artiste (2017) wirelessly motorized lenses.
The camera also has a 3-step ND filter switch allowing greater control of how much light can enter the camera for maintaining a shallow depth of field or giving a softer appearance to motion. For one hour video shooting in 4K the camera needs about 32 GB to accommodate a data transfer rate of 50 Mbit/s. The camera's MSRP in the US is US$2,000. [8]
Panavision uses the Sony HDVF-C30W TFT color LCD viewfinder (960x540 pixels), which is compatible with both the CineAlta and the Genesis cameras. A Digital cinema camera competitor to the Genesis, the D-20, incorporates a reflex optical viewfinder to address this concern. Other similar HD-resolution cameras are the Sony F35, ARRI Alexa, and RedOne.
The following cameras allow audio and video to be shot in at least one raw (in the sense of a series of raw image format frames, such as in CineDNG) format. Lossy compression may be present. However, "raw" means the image data should not have gone through demosaicing and further processing, or at least the process should be reversible.
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