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"Beasley Street" is a poem by the English poet John Cooper Clarke. Dealing with poverty in inner-city Salford, Cooper Clarke has said that the poem was inspired by Camp Street in Lower Broughton. [1] It has a relentless theme of squalor and despair: The rats have all got rickets They spit through broken teeth The name of the game is not cricket
Spud then recites a poem honoring the teacher. Brisbane then throws a spitball at Sherwood. Miss Crabtree sends Brisbane out in the hall. Brisbane then brings Dinah the Mule inside the schoolroom. Miss Crabtree then punishes Brisbane and tells him to learn Sherwood's poem and recite every verse to the class.
A Place Inside of Me: A Poem to Heal the Heart is a 2020 picture book written by Zetta Elliott and illustrated by Noa Denmon. Written in verse, it explores the emotions of a young Black boy after a girl in his community is killed by police. The book was published by Farrar, Straus and Giroux on July 21, 2020.
The poem is created by members of Utrechts Guild of Poets and was started by Ruben van Gogh, Ingmar Heytze, Chrétien Breukers, Alexis de Roode, and Ellen Deckwitz. [4] The poem was continued in February 2013 by Mark Boog, [5] in December 2015 by the Iraqi-Dutch Baban Kirkuki, [6] in December 2018 by Vicky Francken, [7] in March 2022 Anne Broeksma. [8]
There is an increasing body of scientific research showing that when adolescents suffer from extreme stress and trauma, it can inflict permanent damage on their bodies and brains. A study led by the CDC found that children who experienced multiple forms of trauma, such as physical and sexual abuse, had a life expectancy 20 years shorter than ...
In 2024, the poems were adapted by students of St. Mira’s College for Girls, Pune, as part of their theater course. The play, which brought the poems to life on stage, was designed and directed by Prathmesh Viveki. The first performance took place on October 26, 2024, at the Indulakshmi Auditorium.
It was not a shocking find — he knew others that use diapers as a form of punishment. Maia Szalavitz, a journalist who covers the treatment industry — most notably with her 2006 book, Help At Any Cost: How the Troubled-Teen Industry Cons Parents and Hurts Kids — said that coercive techniques are still seen as treatment. “Addiction is a ...
The poem has been bought at the expense of action: art stands accused." [ 4 ] Stephanie Alexander recognizes a theme of violence and complicity that remains constant across time, writing that, "the bog has become an uncanny reflection of contemporary life, an archive that houses both the past and present, and the narrator seems helpless but to ...