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Desierto is a 2015 thriller film co-written and directed by Jonás Cuarón. [6] It was produced by Cuarón together with his father Alfonso and his uncle Carlos , and distributed by STXfilms . The film stars Gael García Bernal (also executive producer) and Jeffrey Dean Morgan .
In 1889, a mob led by an inquisitor ambush and set ablaze a powerful witch whose powers are nullified by a sacred amulet; however, she swears revenge for her trial and subsequent execution.
Mama is a 2013 supernatural horror film directed and co-written by Andy Muschietti in his directorial debut and based on his 2008 Argentine short film Mamá. The film stars Jessica Chastain , Nikolaj Coster-Waldau , Megan Charpentier , Isabelle Nélisse , Daniel Kash , and Javier Botet as the title character.
Feriado (English: Holiday) is a 2014 Ecuadorian coming-of-age drama, written and directed by Diego Araujo. The film had its world premiere at the Berlinale , the 2014 Berlin International Film Festival.
The Brainiac was released on DVD by Alpha Video on July 30, 2002. In 2003, it was released as a double feature with The Witch's Mirror (1962) by Image Entertainment.It was released by Vintage Home Entertainment (VHI) on June 15, 2004 as a part of its "Serial Chillers" multi-film collection.
A part of 'The Fear Collection' horror film label, [2] jointly set by Pokeepsie Films and Sony Pictures International Productions in association with Amazon Prime Video.The project was pitched at the Sitges Film Festival in October 2021, with the participation of the director Jaume Balagueró, star performer Ester Expósito as well as Álex de la Iglesia, Carolina Bang, Ricardo Cabornero and ...
Simon of the Desert (Spanish: Simón del desierto) is a 1965 Mexican surrealist satirical comedy film directed by Luis Buñuel and starring Claudio Brook and Silvia Pinal. It is loosely based on the life of the ascetic 5th-century Syrian saint Simeon Stylites , who lived for 39 years on top of a pillar.
Ángel Fernández-Santos of El País deemed the film to have a lower quality than it appears to display at first glance, writing that "it holds up as an exercise in the mechanics of violence by a very skilled director, but it lacks a system for embodying that violence in believable human beings", dragged by bad writing and poor dialogues.