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"Modern Moral Philosophy" is an article on moral philosophy by G. E. M. Anscombe, originally published in the journal Philosophy, vol. 33, no. 124 (January 1958). [1]The article has influenced the emergence of contemporary virtue ethics, [2] [3] [4] especially through the work of Alasdair MacIntyre.
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The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
Por amor is a 1968 bolero by Rafael Solano a native from the Dominican Republic. The song was first and most famously sung by Niní Cáffaro , [ 1 ] and has been covered by Lucho Gatica , Marco Antonio Muñiz , Vicki Carr , Jon Secada , Gloria Estefan and Plácido Domingo .
Natalia Beatriz Dora "Nathy" Peluso [2] (Spanish: [ˌnati peˈluso]; born 12 January 1995) is an Argentine, Spanish, and Italian [3] singer and songwriter. Born in Argentina and raised in Alicante, Spain, Peluso became interested in the performing arts at an early age, performing cover songs at musical bars in her teenage years in Torrevieja. [4]
Practitioners of the Devotio Moderna emphasized the individual's inner life and promoted meditation according to certain strictures. With the ideals of Christian Humanism, Devotio Moderna recommended a more individual attitude towards belief and religion. It is regarded sometimes as a contributing factor for Lutheranism and Calvinism.
Analytic philosophy is a broad movement within Western philosophy, especially anglophone philosophy, focused on analysis as a philosophical method. [a] [b] It is characterized by a clarity of prose; rigor in arguments; and making use of formal logic and mathematics, and, to a lesser degree, the natural sciences.
El amor brujo ([el aˈmoɾ ˈbɾu.xo], "Love, the sorcerer") is a ballet by Manuel de Falla to a libretto by María de la O Lejárraga García, although for years it was attributed to her husband Gregorio Martínez Sierra. It exists in three versions as well as a piano suite drawn from four of its movements.