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A number of chairs that we today consider to be design icons of the 20th century were actually inspired by campaign furniture from the end of the 19th century. The Roorkhee chair was designed by British Army Engineers stationed at the town of the same name in India. It became instantly popular for its simple but practical construction.
Other decorative arts such as architecture, ceramics, silver, and textiles could also feature elements of the William and Mary style. The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4]
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A wainscot chair, English, c. 1600 A wainscot chair is a type of chair which was common in early 17th-century England and colonial America. [1] [2] Usually made of oak, the term can be used in a general way for a simple heavy chair, or more specifically for a particular style of heavy panel-backed chair as detailed later. [1]
Early British Colonial American [vague] chairs and tables are often constructed with turned spindles and chair backs often constructed with steaming to bend the wood. Wood choices tend to be deciduous hardwoods with a particular emphasis on the wood of edible or fruit bearing trees such as cherry or walnut.
Walnut and burr walnut veneer side chair attributed to Giles Grendey, London, c. 1740 (Art Institute of Chicago) Ornamentation is minimal, in contrast to earlier 17th-century and William and Mary styles, which prominently featured inlay, figured veneers, paint, and carving. The cabriole leg is the "most recognizable element" of Queen Anne ...
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