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Medium shots are divided into singles (a waist-high shot of one actor), group shots, over-the shoulders or two-shots (featuring two people). [6] A medium wide shot, or American shot, shows a bit more of the background but is still close enough for facial expressions to be seen, although these facial expressions would be better seen in a waist-high shot.
Then, there is the medium long shot which makes the subject and the setting have equal importance and has the two about 50/50 in the frame. Then is the medium shot which emphasizes the character and is about a knees to waist up type shot. Then the medium close up is a shot that has the waist to the chest and up. The next closest shot is the ...
The waist-level finder (WLF), also called waist-level viewfinder (WLVF), is a type of viewfinder that can be used on twin lens and single lens reflex cameras. While it is typically found on older medium format cameras, some newer and/or 35 mm cameras have this type of finder (perhaps as an option).
With high-quality TLRs like the Rolleiflex and the Mamiya C220/C330, the waist-level finder can be replaced by an eye-level finder, using a roof pentaprism or pentamirror to correct the image while making it viewable through an eyepiece at the rear of the camera.
While waist-level viewfinders have been common in box cameras since the beginning of the 20th century, large viewfinders of the sort that are suitable for TtV photography became popular in the late 1920s and 1930s with medium format TLR and pseudo TLR cameras such as the Rolleiflex and the Voigtländer Brillant. Similar large, clear square ...
The complete camera top, hinged at the front, is a flush cover with no protruding controls. When flipped open, it reveals the waist-level finder. On the right-hand side is the single-stroke wind-on lever with the manual reset frame counter on top, and next to it the remote-release-threaded shutter button.
Image credits: Michael Buckner / Getty #3 Scott Disick. Boxes of Mounjaro, which is known for its weight loss effects, were found stacked in Scott Disick’s fridge on a past episode of The ...
With a mirror, of similar size to the film, held at 45°, it projects an upright image onto a focusing ground glass screen viewable from above. The camera can be then be held steady at waist level. Although the viewfinder lens was similar to the camera lens, the optical quality was less important and so the cost is reduced.