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A weathered marble head of Harmodius, once of fine workmanship, conserved at the Metropolitan Museum of Art, with the remains of a strut support on the crown of the head, suggested to Gisela Richter a restoration of the right arm of Harmodius (of which both are missing and restored in the Neapolitan sculpture), reaching backwards, ready for a ...
Harmodius (Greek: Ἁρμόδιος, Harmódios) and Aristogeiton (Ἀριστογείτων, Aristogeíton; both died 514 BC) were two lovers in Classical Athens who became known as the Tyrannicides (τυραννόκτονοι, tyrannoktonoi) for their assassination of Hipparchus, the brother of the tyrant Hippias, for which they were executed.
Roman copy of Kritios' Tyrannicides (Archaeological Museum, Naples). Kritios (Ancient Greek: Κριτίος, / k r ɪ ˈ t iː ə s /) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher ...
Plato describes a violent tyrant as the opposite of a good and "true king" in the Statesman, [6] and while Aristotle in the Politics sees it as opposed to all other beneficial forms of government, he also described tyrannicide mainly as an act by those wishing to gain personally from the tyrant's death, while those who act without hope of personal gain or to make a name for themselves are rare.
The definition of statue for this list is a free-standing sculpture (as opposed to a relief), representing one or more people or animals (real or mythical), in their entirety or partially (such as a bust). Heights stated are those of the statue itself and (separately) the total height of the monument that includes structures the statue is ...
Such is the case with the Laocoön, for example, in the palace of the Emperor Titus, a work that may be looked upon as preferable to any other production of the art of painting or of [bronze] statuary. It is sculptured from a single block, both the main figure as well as the children, and the serpents with their marvellous folds.
Ugolino and his sons is a plaster sculpture by French artist Auguste Rodin, part of the sculptural group known as The Gates of Hell.As an independent piece, it was exhibited by its author in Brussels (1887), Edinburgh (1893), Genoa (1896), Florence (1897), Netherlands (1899) and in his own retrospective in 1900.
Ugolino and His Sons is a marble sculpture of Ugolino made by Jean-Baptiste Carpeaux in Paris during the 1860s. It depicts the story of Ugolino from Dante's Inferno in which the 13th century count is imprisoned and starving with his children. The work, known for its expressive detail, launched Carpeaux's career.