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In the Neo-Attic style that revived the Severe style of the original bronzes, it shows idealized portraits of the two heroes: a clean-shaven Harmodius, thrusting a sword forward in his upraised right hand, another sword in his left hand; and Aristogeiton, also brandishing a sword, with a chlamys, or cape, draped over his left shoulder.
Harmodius (Greek: Ἁρμόδιος, Harmódios) and Aristogeiton (Ἀριστογείτων, Aristogeíton; both died 514 BC) were two lovers in Classical Athens who became known as the Tyrannicides (τυραννόκτονοι, tyrannoktonoi) for their assassination of Hipparchus, the brother of the tyrant Hippias, for which they were executed.
The definition of statue for this list is a free-standing sculpture (as opposed to a relief), representing one or more people or animals (real or mythical), in their entirety or partially (such as a bust). Heights stated are those of the statue itself and (separately) the total height of the monument that includes structures the statue is ...
Plato describes a violent tyrant as the opposite of a good and "true king" in the Statesman, [6] and while Aristotle in the Politics sees it as opposed to all other beneficial forms of government, he also described tyrannicide mainly as an act by those wishing to gain personally from the tyrant's death, while those who act without hope of personal gain or to make a name for themselves are rare.
The sculpture was unveiled in central London on Wednesday. For premium support please call: 800-290-4726 more ways to reach us
Roman copy of Kritios' Tyrannicides (Archaeological Museum, Naples). Kritios (Ancient Greek: Κριτίος, / k r ɪ ˈ t iː ə s /) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher ...
Pharsalos stele, c. 470–60, Louvre. The Severe style, or Early Classical style, [1] was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century.
Antenor (Ancient Greek: Ἀντήνωρ, Antḗnōr; fl. c. 540 – c. 500 BC) [1] was an Athenian sculptor.He is recorded as the creator of the joint statues of the tyrannicides Harmodius and Aristogeiton funded by the Athenians on the expulsion of Hippias.