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Film screenwriter, Teacher František " Frank " Daniel (April 14, 1926 – February 29, 1996) was a Czech - American screenwriter, film director and teacher. He is known for developing the sequence paradigm of screenwriting, in which a classically constructed movie can be broken down into three acts, and a total of eight specific sequences. [ 1 ]
Sequence shots give the editor plenty of shots to tell a story and keep audiences' attention. [2] Sequencing refers to what one shoots, with the five most common shots used being: close-ups, wide angle, medium, over the shoulder, and point of view shots. Sequencing keeps viewer interest while maintaining a consistent story.
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Ansel Adams wrote about visualization in photography, defining it as "the ability to anticipate a finished image before making the exposure.” [2] The term previsualization has been attributed to Minor White, who divided visualization into previsualization, what occurs while studying the subject, and postvisualization, how the visualized image is rendered at printing.
The strips can then be rearranged and laid out sequentially to represent the order one wants to film in, providing a schedule that can be used to plan the production. [1] This is done because most films are shot "out of sequence," meaning that they do not necessarily begin with the first scene and end with the last. [2]
A set piece may or may not be integral to the plot. A James Bond film usually begins with a set piece that has little relation to the main plot of the film. On the other hand, a dramatic film may have set pieces at major plot points, providing dramatic pay-off, resolution, or transition.
The sequence approach to screenwriting, sometimes known as "eight-sequence structure", is a system developed by Frank Daniel, while he was the head of the Graduate Screenwriting Program at USC. It is based in part on the fact that, in the early days of cinema, technical matters forced screenwriters to divide their stories into sequences, each ...
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