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The Museum of International Propaganda features a permanent collection of propaganda posters, paintings, sculptures, and artifacts from more than 25 countries. The main gallery showcases unique and educational images, representing the political art of various nations, including North Korea, Cuba, Nazi Germany, China, Iran, and the Soviet Union. [1]
A German World War I propaganda poster urging the sale of war bonds in the Plakastil style pioneered by Lucian Bernhard. This is a very striking image that caught my eye at the Library of Congress website. Creator Poster designer: Lucian Bernhard (1883–1972); restored, adjusted, and uploaded by Bellhalla Nominated by
Soviet propaganda poster, 1943. Soviet propaganda, during the country's victory at Stalingrad, had the notion of the hearth and family become a focus fir rhetoric for nationalist and patriotic themes. [34] The language of the propaganda often “dress[ed]” itself in private values and to sound like private speech. [35] (Kirschenbaum, Lisa A ...
Download QR code; Print/export ... Propaganda posters (2 C, 9 P, 2 F) Pages in category "Posters" The following 43 pages are in this category, out of 43 total. ...
The poster was analyzed by members of the National World War II Museum. They argued that the poster demonstrated transfer propaganda, or an attempt to transfer the belief that Americans fought for liberty during the Revolutionary War to the then-ongoing Second World War. [6]
The famous propaganda poster warned Swedes to be wary of speaking. En svensk tiger (Swedish: [ɛn ˈsvɛnːsk ˈtǐːɡɛr]) was a slogan and an image that became part of a propaganda campaign in Sweden during World War II. Its goal was to prevent espionage by encouraging secrecy.
File:Palestine Communist Party (P.K.P) propaganda in support of Red Army 1940s.jpg File:Partido Comunista de España (1930s poster).jpg File:Partido Comunista de los Pueblos de España (sticker, 1999).jpg
Big-character posters (Chinese: 大字报; lit. 'big-character reports') are handwritten posters displaying large Chinese characters, usually mounted on walls in public spaces such as universities, factories, government departments, and sometimes directly on the streets. They were used as a means of protest, propaganda, and popular communication.