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The washout is an optical transition used for editing purposes that is similar to the fade. Unlike the fade-out, where the images fade to black, in a washout the images suddenly start to bleach out or to color until the screen becomes a frame of white or colored light.
The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut , where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may also be used in montage ...
Fade in may refer to: Dissolve (filmmaking), a type of transition used in visual media; Fade (audio engineering), a similar type of transition used in audio media; Fade In, an online film magazine; Fade In, 1968 film; Fade In, an unpublished non-fiction book by Michael Piller about Star Trek: Insurrection
The effect can be used as a transition between clips as well. For example, to segue from one person in the story to another, a clip might open with a close-up of one person in a photo, then zoom out so that another person in the photo becomes visible. The zooming and panning across photographs gives the feeling of motion, and keeps the viewer ...
Fade-out or fade, a gradual decrease in sound volume; Fade (lighting) or fade-out, a gradual decrease in intensity of a stage lighting source; Dissolve (filmmaking) or fade-out, a cinematographic technique causing the picture to darken and disappear
Possibly the earliest example of a fade-out ending can be heard in Joseph Haydn's Symphony No. 45, nicknamed the "Farewell" Symphony on account of the fade-out ending.The symphony which was written in 1772 used this device as a way of courteously asking Haydn's patron Prince Nikolaus Esterházy, to whom the symphony was dedicated, to allow the musicians to return home after a longer than ...
Today, most films are edited digitally (on systems such as Media Composer, Final Cut Pro X or Premiere Pro) and bypass the film positive workprint altogether. In the past, the use of a film positive (not the original negative) allowed the editor to do as much experimenting as he or she wished, without the risk of damaging the original.
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. [1] It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve, and wipe serve as the three primary transitions. The term refers to the ...
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