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Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
Example graph of stream stages showing Action Stage, Flood Stage, Moderate Stage, Major Stage, and Record Stage on a river.. Flood stage is the water level, as read by a stream gauge or tide gauge, for a body of water at a particular location, measured from the level at which a body of water threatens lives, property, commerce, or travel. [1]
Major and minor keys that share the same key signature are relative to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale ...
The first two phrases of the melody from Stephen Foster's "Oh! Susanna" are based on the major pentatonic scale [1]. A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale).
Neapolitan minor scale on C Play ⓘ. Neapolitan major scale on C Play ⓘ. In music, the major Neapolitan scale and the minor Neapolitan scale are two musical scales. Both scales are minor, in that they both contain a minor third above the root. The major and minor Neapolitan scales are instead differentiated by the quality of their sixth.
The Richter scale [1] (/ ˈ r ɪ k t ər /), also called the Richter magnitude scale, Richter's magnitude scale, and the Gutenberg–Richter scale, [2] is a measure of the strength of earthquakes, developed by Charles Richter in collaboration with Beno Gutenberg, and presented in Richter's landmark 1935 paper, where he called it the "magnitude scale". [3]
Four of the six differ by one accidental, one has the same key signature, and one uses the parallel modal form. In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]