Search results
Results from the WOW.Com Content Network
[2] Societies defined as, or defining themselves as, "indigenous" are found in every inhabited climate zone and continent of the world. [3] Some important articles are: Music of Africa, especially the non-European, Asian or Arab-derived traditions; Māori music of New Zealand; Music of the Aborigines and Torres Strait Islanders of Australia
This gradual takeover of the diasporic market by Vietnamese music from Vietnam has been a fascinating phenomenon to observe. [12] Others believe that the growing Vietnamese music industry had in part to do with the lack of creativity by diasporic Vietnamese artists and poor management by overseas producers which resulted in low-quality their music.
About Wikipedia; Contact us; Contribute ... Indigenous musicians (12 C, 3 P) A. Ainu music (1 C, ... Pages in category "Indigenous music"
The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the Vietnamese musician Lưu Hữu Phước.
Nhã nhạc (Vietnamese: [ɲǎːˀ ɲàːˀk], 雅樂, "elegant music") is a traditional music of Vietnam.Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.
What is known for sure is that ca trù started off like many of Vietnam's arts as being a form of entertainment for the royal court. Officially ca tru count the age of their profession since The Later Le dynasty ( Vietnamese : Nhà Hậu Lê , 1428–1789), at that time musicians called Vietnamese : hát khuôn performed only on religious court ...
Nowadays, xẩm is considered an endangered form of Vietnamese traditional music because the number of experienced artists rapidly declines while the younger generation usually prefers modern types of music. [2] [9] The most famous recent artisan of this art form was Hà Thị Cầu (1917-2013), the so-called "last surviving artisan of xẩm."