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She was also showed her second solo exhibition “Self-Identity” in the Art-U room gallery, Tokyo, Japan and participated at group exhibitions, Fukuoka Triennale in 2005. At 2008, she participated group exhibition in Another Seven Artists in Yangon .
Self-portraiture, as an artistic genre, has played a fundamental role throughout the history of art, serving as a medium through which artists explore their own identity, inner reflections, and their relationship to the outside world. However, when women portray themselves, self-portraiture takes on additional meanings, often subverting social ...
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
The subject's identity is unverified, but many scholars have traditionally regarded it as Raphael's self-portrait. The facial features are perceived by specialists as compatible with, if not clearly identical to, the only undoubted self-portrait by Raphael in his fresco The School of Athens at the Vatican, identified as such by Vasari. If it is ...
Self-insertion is a literary device in which the author writes themselves into the story under the guise of, or from the perspective of, a fictional character. [1] The character, overtly or otherwise, behaves like, has the personality of, and may even be described as physically resembling the author of the work.
Self-Portrait as a Tahitian is a self-portraiture, an oil painting on canvas created in 1934 in Paris by Hungarian-born Indian artist Amrita Sher-Gil. It is held in the Kiran Nadar Museum of Art, India. Under India's Antiquities and Art Treasures Act (1972) the work is a national art treasure and must stay in India.
c. 1630 (Walker Art Gallery, Liverpool) The Liverpool Self-Portrait is transitional between a study of expression, a tronie, and a conventional head-and-shoulders 'portrait of the artist'. Self-Portrait in Oriental Costume with Poodle (1631-1633) Last self-portrait produced in his hometown and only full-length self-portrait.