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"Back at One" is a song written and performed by American recording artist Brian McKnight, taken from his fifth studio album of the same name (1999). The single was released on August 9, 1999. The single was released on August 9, 1999.
"Easy" is a song by American band Commodores from their fifth studio album, Commodores (1977), released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as ...
Exodisco / Kick Back (as American Express) 1979 "Let Her Go and Start Over" Mike Duke Plan B: 2001 [11] "Little Bitty Pretty One" Robert Byrd: Four Chords & Several Years Ago: 1994 [5] "Little Sally Walker" Rufus Thomas: Soulsville: 2010 [7] "Mother in Law" Allen Toussaint: Four Chords & Several Years Ago: 1994 [5] "My Other Woman"
A '50s progression in C. The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1][2] the doo-wop progression[3]: 204 and the " ice cream changes " [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V.
The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony. It is a succession of chords whose roots descend in fifths from the second degree (supertonic) to the fifth degree ...
Back at One is the fifth studio album by American singer Brian McKnight, released on September 21, 1999, by Motown Records. The album followed the same pattern as McKnight's previous album of original material, Anytime (1997), in which he began his transition from urban adult contemporary into the hip hop soul market.
A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...