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Heroes & Villains (stylized in all caps) is the second studio album by American record producer Metro Boomin. It was released through Republic Records and Boominati on December 2, 2022. The album contains guest appearances from John Legend , Future , Chris Brown , Don Toliver , Travis Scott , 21 Savage , Young Nudy , Young Thug , the Weeknd ...
The lawsuit also refers to the lyrics of a song "Rap Saved Me" by 21 Savage, Offset, Metro Boomin and Quavo, which include the lines: “She took a Xanny, then she fainted/ I’m from the gutter, ain’t no changing/ From the gutter, rap saved me/ She drive me crazy, have my baby.” The woman believes the lyrics recount the alleged assault and ...
Picking his proudest moment from the past year is not easy for Metro Boomin. The super-producer has been on quite a run since releasing his second solo album, “Heroes & Villains,” in December ...
"Raindrops (Insane)" is a song by American record producer Metro Boomin and American rapper Travis Scott from the former's second studio album Heroes & Villains (2022). It was produced by Metro, Honorable C.N.O.T.E. , Allen Ritter , David x Eli and Scriptplugg.
"Superhero (Heroes & Villains)" is a song by American record producer Metro Boomin, American rapper Future, and American singer Chris Brown, released as the title track from the former's second studio album Heroes & Villains (2022). Co-produced by Allen Ritter and David X Eli, it peaked at number 8 on the Billboard Hot 100.
The buzz only built when Metro Boomin and Future headlined the Rolling Loud California festival just prior to the song’s release, and Travis Scott personally asked them to play it during their set.
After teasing a full-length collaboration late last year, Metro Boomin and Future have announced not one, but two new albums releasing in the coming weeks. The pair have announced “We Don’t ...
Hamza Riaz of Mic Cheque wrote in a review of Heroes & Villains, "There's no sensational beat that holds a candle to production like Without Warning's "Rap Saved Me" or the layers of "Don't Come Out the House", bringing up the "first twenty seconds" of "Umbrella" as one of the "closest moments" but also stating that the production "should have returned at some point in the song".