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The words "microtone" and "microtonal" were coined before 1912 by Maud MacCarthy Mann in order to avoid the misnomer "quarter tone" when speaking of the srutis of Indian music. [2] Prior to this time the term "quarter tone" was used, confusingly, not only for an interval actually half the size of a semitone, but also for all intervals ...
In high-context cultures, where communication relies on implicit understanding and cultural cues, the use of tools reflects specific cultural norms. [35] These tools, which can be interpreted differently across cultures, emphasize the need for clarity in cross-cultural digital interactions. Such markers can express emotion.
The earliest use I have found so far of the word "microtone" is in 1912 (two years before the earliest citation in the OED), but the article disparages the "widespread use" of the word. This suggests that, amongst ethnomusicologists at least, by 1912 "microtonal" and/or "microtonality" had already been in use for some time.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
The three common nonverbal channels that people use to express emotions are body, face and touch, according to a 2011 study. For instance, when you’re listening to someone, you might turn your ...
The word maqam in Arabic means place, location or position. The Arabic maqam is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabian art music". [1] There are 72 heptatonic tone rows or scales of maqamat. [1]
A semitone is thus made of two steps, and three steps make a three-quarter tone or neutral second, half of a minor third. The 8-TET scale is composed of three-quarter tones. Four steps make a whole tone. Quarter tones and intervals close to them also occur in a number of other equally tempered tuning systems.
In African cultures, just intonation scales are the norm rather than the exception. [15] As the blues appears to have derived from a cappella field hollers of African slaves, it would be expected that its notes would be of just intonation origin closely related to the musical scales of western Africa.