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The band's roots lie in the hardcore punk scene of the early 1980s, along with a strong influence from the British 2 Tone ska scene of the 1970s. [8] Bassist Joe Gittleman played with local hardcore band Gang Green, while vocalist Dicky Barrett was a member of Impact Unit and, later on, Cheapskates.
Simitar Entertainment, Inc. was an American media company that sold music, videos, DVDs, and computer software. The company specialized in compilation albums, special interest video, and urban media. Simitar also distributed its own label.
A big rig climbing a steep mountain. Big Rigs: Over the Road Racing is a racing video game. [2] [3] Although the game's packaging states the objective as racing over US truck routes to be the first to deliver cargo and avoid arrest by the police, the game features no law enforcement.
Big Rigs was released in a pre-alpha state, and it lacks any type of collision detection, allowing players to drive through other vehicles and obstacles, while its physics system is so problematic that it allows players to drive up a vertical incline or accelerate to a maximum speed of 1.23 × 10 37 miles per hour (1.98 × 10 37 kilometres per ...
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Black Gold is a reality-documentary television series that chronicles three oil drilling rigs in Andrews County, Texas, [1] 30 miles northwest of Odessa. It was partly produced by Thom Beers, [2] creator of Deadliest Catch and Ice Road Truckers. [3] The Black Gold theme song was sung by country music star Trace Adkins. The title "Black Gold ...
The album sold 140,000 copies in its first week, debuting and peaking at number twenty-six on the Billboard 200 chart, and number three on the Top R&B/Hip-Hop Albums chart. . It has been certified gold by the Recording Industry Association of America on January 27, 1999, and then went platinum on August 20, 2001, indicating US sales of over one million uni
"The Impression That I Get" is a song by American ska punk band the Mighty Mighty Bosstones, released as the lead single from their fifth studio album, Let's Face It (1997), in February 1997. The track reached number one on the US Billboard Modern Rock Tracks chart and number 23 on the Billboard Hot 100 Airplay chart while also charting highly in Australia, Canada, and on