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In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
A Peavey bass amp head with an Ampeg 8x10" speaker cabinet. By the 1960s and 1970s, semiconductor or transistor -based amplifiers (also called " solid state ") began to become popular. This was in large part because for a given wattage level and feature level, solid state amplifiers are less expensive, lighter weight, and require less ...
The first amp in Ampeg’s Portaflex series was the B-15, a 2-channel tube amplifier with per-channel volume controls and shared Baxandall-type tone control, housed within a ’flip-top’ tuned-port cabinet design mounted to a dolly. Shortly after the B-15’s introduction in 1960, it became the most popular bass amp in the world.
In 1960, Oliver invented and patented the B-15, a bass combo amp with closed-back reflex cabinet, double-baffle porting system, and an innovative flip-top function. The B-15 was the first in Ampeg's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey , went on to become the ...
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
Over the years, Dunn played through an Ampeg Portaflex, or "Fliptop", B-15 combo (so named for its head that flipped over to store in the cabinet), as well as a Kustom 200 stack, and a Fender rig. He is best known for his use of an Ampeg SVT head and the company's matching 8×10" cabinet through his endorsement deal with Ampeg. [15] [16]
As such, an emerging band's backline "technical specifications" request as part of its contract may only ask venue managers for general types of equipment, while a top touring band's contract rider may specify, for example, an Ampeg SVT Pro bass amplifier and 8x10" Ampeg cabinet for the bassist and a Fender Bandmaster amp head and a Fender 4x10 ...
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