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Kekasihku, andai kau tahu kata hatiku Maafkan salahku saat-saat itu padamu Biar diriku saja menjawab semua cinta Atau datang kembali di hatimu Entah sedalam apa cinta suci di dada? Biarkan kujawab semua dusta Januari, Januari yang biru Asmaramu, asmaraku membisu Entah kapan, entah kapan hadir di hati? Saat-saat yang indah di diriku
Oxavia Aldiano was born in Jakarta, Indonesia. [2] His Javanese father, Harry Aprianto Kissowo, was the owner of an event organizer business. [5] [6] His Minagkabau mother, Besbarini, was a piano teacher.
A penei e kau ai She'd place them on her nose Hui: Chorus: E aloha kākou iā ia Now we must all show her reverence E mālama kākou iā tūtū We must all love our dear Tūtū E hoʻano kākou iā ia We must do all to honor her Ko kākou kupuna wahine Our dear Grandma Tūtū A kau mai e ke ahiahi As the hour of eve drew near Hoʻomākaukau e pule
Doa Putra Ebal Johan "Utha" Likumahuwa (1 August 1955 – 13 September 2011) was an Indonesian singer from Ambon, Maluku.. He rose to fame in Indonesia in the 1980s with his albums Nada & Apresiasi (1982) and the song "Tersiksa Lagi". [1]
Yat sang ho kau (Chinese: 一生何求; Jyutping: Jat1 sang1 ho4 kau4; pinyin: Yīshēng hé qiú) is a Cantonese-language Hong Kong album by Danny Chan, released by Warner Music (WEA) in June 1989. The title track became one of the top ten songs in the 1989 RTHK Top 10 Gold Songs Awards . [ 1 ]
Adhisty Zara Sundari Kusumawardhani (born 21 June 2003), known professionally as Adhisty Zara and formerly Zara JKT48, is an Indonesian singer, performer, and actress.. She emerged as a member of the Indonesian-Japanese idol group JKT48 in 2016, under the name Zara JKT48, along with her elder sister, Hasyakyla Utami Kusumawardhani.
Ahmad Nabil Ahmad was born on 26 September 1983, in Seremban, the capital of the state of Negeri Sembilan, Malaysia. [1] [2]In 2008, Nabil was working as a motorcycle courier in the small town of Mambau, earning RM600 (about US$143) a month, when he was transferred to Kuala Lumpur for work.
Mereka Kembali (They Return, 1972) is an Indonesian war film directed by Nawi Ismail. The film portrays the Indonesian equivalent of the Chinese Long March , interpreting the past from the perspective of its own time.