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Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation. Video poetry is a wide-ranging category where very different typologies of works converge.
Since the early twentieth century Khowar has been written in the Khowar alphabet, which is based on the Urdu alphabet and uses the Nasta'liq script. Prior to that, the language was carried on through oral tradition. Today Urdu and English are the official languages and the only major literary usage of Khowar is in both poetry and prose composition.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Native translations in English, Urdu, and Sindhi and more are provided, along with a Lugat feature for word-by-word translation, allowing the poetry's deeper meanings to be explored. A visually rich design, intuitive navigation, and contextual information on historical, cultural, and linguistic aspects are included to connect users with the ...
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The Call of the Marching Bell (Urdu: بان٘گِ دَرا, Bang-e-Dara; published in 1924) was the first Urdu philosophical poetry book by Muhammad Iqbal. Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer
In Persian, Turkic and Urdu poetry, the matla ' (from Arabic مطلع maṭlaʿ; Persian: مطلع; Azerbaijani: mətlə; Turkish: matla; Uzbek: matla; Urdu: مطلع) is the first bayt, or couplet, of a ghazal. [1] [2] In this sense, it is the opposite of the maqta'.
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