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Jabberwocky is a nonsense poem written by English poet Lewis Carroll in 1871 and first published in his 1872 novel Through the Looking Glass and What Alice Found There. The poem, about a boy and his encounter with a creature called the Jabberwock, was originally written backwards, and Alice used a looking glass to decode it.
The Jabberwock, as illustrated by John Tenniel, 1871 "Jabberwocky" is a nonsense poem written by Lewis Carroll about the killing of a creature named "the Jabberwock". It was included in his 1871 novel Through the Looking-Glass, the sequel to Alice's Adventures in Wonderland (1865).
"The Owl and the Pussy-Cat" was the main topic of The Owl and the Pussycat Went to See..., a 1968 children's musical play about Lear's nonsense poems. The play was written by Sheila Ruskin and David Wood. [9] In 1996, Eric Idle published a children's novel, The Quite Remarkable Adventures of the Owl and the Pussycat, based on the poem
In 1846, Lear published A Book of Nonsense, a volume of limericks which went through three editions and helped popularise the form and the genre of literary nonsense. In 1871, he published Nonsense Songs, Stories, Botany and Alphabets, which included the nonsense song "The Owl and the Pussy-Cat", which he wrote for the children of his patron ...
Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward Lear both made good use of this type of nonsense in some of their verse. These poems are well formed in terms of grammar and syntax, and each nonsense word is of a clear part of speech.
Death years link to the corresponding "[year] in poetry" article: Robert Browning: . Blaustion's Adventure [1]; Prince Hohenstiel-Schwangau, Saviour of Society [1]; Lewis Carroll (pen name of C. L. Dodgson), Through the Looking Glass, and What Alice Found There, including "Jabberwocky" and "The Walrus and the Carpenter" (published this year, although the book states "1872") [1]
Because they weren't published in print until the tail end of the 16th century, the origins of the fairy tales we know today are misty. That identical motifs — a spinner's wheel, a looming tower, a seductive enchantress — cropped up in Italy, France, Germany, Asia and the pre-Colonial Americas allowed warring theories to spawn.
Literary nonsense, as recognized since the nineteenth century, comes from a combination of two broad artistic sources. The first and older source is the oral folk tradition, including games, songs, dramas, and rhymes, such as the nursery rhyme "Hey Diddle Diddle". [3]