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Morton's toe is the condition of having a first metatarsal bone that is shorter than the second metatarsal (see diagram). It is a type of brachymetatarsia. [1] This condition is the result of a premature closing of the first metatarsal's growth plate, resulting in a short big toe, giving the second toe the appearance of being long compared to the first toe.
The Egyptian Greeks, also known as Egyptiotes (Greek: Αιγυπτιώτες, romanized: Eyiptiótes) or simply Greeks in Egypt (Greek: Έλληνες της Αιγύπτου, romanized: Éllines tis Eyíptou), are the ethnic Greek community from Egypt that has existed from the Hellenistic period until the aftermath of the Egyptian coup d'état of 1952, when most were forced to leave.
In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]
The pous (pl. podes; Ancient Greek: πούς, poús) or Greek foot (pl. feet) was a Greek unit of length of approximately 300mm or 12 inches. It had various subdivisions whose lengths varied by place and over time. 100 podes made up one plethron, 600 podes made up a stade (the Greek furlong) and 5000 made up a milion (the Greek mile).
Egyptian ceremonial ruler showing fingers, palms, hands, fists, feet, remen; Cubit divided into fingers and hands; Modern replica of Egyptian ruler; Measuring length in Ancient Egypt Page by Digitalegypt (University College London). Irrational numbers and pyramids Archived 2015-09-24 at the Wayback Machine Article by Gay Robins and C. C. D. Shute
The Egyptian influence is sometimes disputed or minimized, but the apparent similarity is obvious, and modern studies have found consistent identity between the proportions of most of the kouroi with the Second Canon of the 26th Egyptian dynasty, [28] a canon that with minor variations was practically the same as the one that had been in use ...
A Roman wall painting showing the Egyptian goddess Isis (seated right) welcoming the Greek heroine Io to Egypt. Interpretatio graeca (Latin for 'Greek translation'), or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods.
Historical evidence suggests that Greeks had some familiarity with Egyptian technical procedures by this point and that Greek visitors to Egypt—charmed by the colossal Egyptian statuary they saw—persuaded Greek sculptors to adopt and augment the style to remove, in the words of Hurwit, Plantzos, and Campbell in Kouros, “the stone screens ...