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In Greece, with just a little effort on her part, she rediscovers everything she had been missing about her existence in England. She finds so much happiness, in fact, that when the vacation is over she decides not to return, ditching her friend at the airport and going back to the hotel where she'd been staying to ask for a job and to live a ...
Shirley Valentine is a 1989 British romantic comedy-drama film directed by Lewis Gilbert.The screenplay by Willy Russell is based on his 1986 one-character play of the same title, which follows middle-aged Shirley Valentine in an unexpected discovery of herself and the rekindling of her childhood dreams and youthful love of life.
Greece 1966 The Fear (Ο φόβος) Kostas Manoussakis: Various Various n/a Greece 1983 Rembetiko: Costas Ferris: Various Various n/a Greece 2001 The Bubble (Η Φούσκα) Nikos Perakis: Various Various n/a Greece 2004 Brides (Νύφες) Pantelis Voulgaris: Various Various n/a Greece 2008 Omega (Ωμέγα) Vasilis Blioumis Various Various ...
Olivia Colman and Jessie Buckley never share a frame in “The Lost Daughter,” since they play the same character, Leda, a literature professor and translator, at different and equally ...
Combs' Sergio takes part in debaucherous behavior throughout the movie. One scene depicts Combs (as Sergio) instructing a groupie named Destiny, played by Carla Gallo, to “ . . . go and have sex ...
Ekeino to kalokairi (Greek: Εκείνο το καλοκαίρι (That Summer)) is a 1971 Greek film starring Elena Nathanael and Lakis Komninos. It won the photography and music prizes at the 1971 Thessaloniki Festival of Greek Cinema. [2] It was the Greek version of the successful 1970 American film Love Story.
Summer Lovers is erroneously listed as a scope (2.35:1) production in Leonard Maltin's movie guide, as well as the IMDb. In fact, the film's original press kit confirms that the film was shot in the 1.85:1 aspect ratio. Occasionally on the MGM HD network, the film is shown in 1:85.1 aspect ratio (16:9) in 1080i high definition. The film was ...
In his review in the Chicago Sun-Times, American film critic Roger Ebert gave the film four stars, his highest rating. Ebert wrote that the film "resists the director's most determined attempts to make it a fable about the bourgeoisie and the proletariat, and persists in being about a man and a woman. On that level, it's a great success."