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"Paris 1919" is the sixth song on Cale's third solo studio album, Paris 1919 (1973). The song's backing band was not credited until 2006 in the album's expanded version. [2] The meaning of the lyrics are unknown. Because of this, there are many interpretations of its meaning. Some think it represents a failed wedding during World War I. Others ...
Paris 1919 is the third solo studio album by the Welsh musician John Cale, released on 25 February 1973 by Reprise Records. ... Music and lyrics
Andalucia is the fourth song in Cale's 1973 album, Paris 1919. The backing band for the song, and the rest of the album were not credited until 2006 in the expanded version. [1] The lyrics are interpreted in multiple ways - either about Andalusia, Spain, or a person from that area. The lyrics are delivered as though Cale is about to break down ...
Paris 1919 may refer to: Paris Peace Conference (1919–1920), the formal meeting of the victorious Allies after the end of World War I; Paris 1919, a 1973 album by musician John Cale; Paris 1919, a 1973 song by musician John Cale; Paris 1919: Six Months that Changed the World, a 2001 book by historian Margaret MacMillan
John Davies Cale OBE (born 9 March 1942) is a Welsh musician, composer, and record producer who was a founding member of the American rock band the Velvet Underground.Over his six-decade career, Cale has worked in various styles across rock, drone, classical, avant-garde and electronic music.
Fragments of a Rainy Season is a 1992 live solo album by John Cale, performed at various locations during his 1992 tour.A 16-track DVD, recorded at the Centre for Fine Arts, Brussels (Palais des Beaux-Arts, now BOZAR) in Brussels, Belgium, that features the tracks in the order in which they were performed, was also released.
Seducing Down the Door: A Collection 1970−1990 is the second compilation album by Welsh musician John Cale, released by Rhino Records in July 1994. It featured songs from Cale's albums released between 1970 and 1990 (including songs from collaborative albums with Brian Eno and Lou Reed).
His motif, as defined on Paris 1919, remains clean, compact, clever melodies, written and produced with a clear understanding of the subtle nuances of mood the simplest of chord structures and breaks can evoke. But the extravagant orchestration which characterized the last solo album has been largely abandoned in favor of a sparser, more barren ...