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Kapa haka is an important avenue for Māori people to express and showcase their heritage and cultural Polynesian identity through song and dance. Modern kapa haka traces back to pre-European times where it developed from traditional forms of Māori performing art; haka, mau rākau (weaponry), poi (ball attached to rope or string) and mōteatea ...
The group of people performing a haka is referred to as a kapa haka (kapa meaning group or team, and also rank or row). [14] The Māori word haka has cognates in other Polynesian languages, for example: Samoan saʻa (), Tokelauan haka, Rarotongan ʻaka, Hawaiian haʻa, Marquesan haka, meaning 'to be short-legged' or 'dance'; all from Proto-Polynesian saka, from Proto-Malayo-Polynesian sakaŋ ...
The All Blacks have two haka that they regularly perform: the “Ka Mate” is best known, while the “Kapa o Pango” has been used since 2005 having been written for and about the All Blacks.
Kapa haka is a form of Māori identity and contributes to New Zealand being unique. The Te Matatini Society is the driving force behind Te Matatini National Kapa Haka Festival. Initially emerging in the late 1960s, it has evolved into the sponsor of a variety of Māori festivals and Polynesian events.
The All Blacks perform the Maori ceremonial dance before their fixtures
Since 2005 the All Blacks have occasionally performed another haka, "Kapa o Pango". Since the introduction of "Kapa o Pango" the longest sequence of "Ka Mate" performances by the All Blacks is nine, which has occurred twice between 22 August 2009 and 12 June 2010 and also between 13 August 2022 and 19 November 2022. [5]
Kapa o Pango is a pre-match haka, or challenge, composed by Derek Lardelli, which is unique to the New Zealand national rugby union team, the All Blacks. Since 2005, the "Kapa o Pango" haka has been performed a total of 98 times before rugby test matches by the All Blacks as an alternative to the usual " Ka Mate " haka.
The "Kapa o Pango" haka created controversy when the gesture of a thumb drawn down the throat was interpreted by many observers as implying throat slitting. The All Blacks and Māori interpreted it as drawing the breath of life into the heart and lungs (" hauora ").