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"(Not Just) Knee Deep" is a song by the American funk band Funkadelic written by George Clinton. [1] The song was released as a single for their album Uncle Jam Wants You (1979). [2] The song is widely regarded as a funk classic, peaking at No. 77 on the Billboard Hot 100 and topping the US R&B charts in 1979. [3]
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records.Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. [10]
Title Album details Peak chart positions Certifications (sales thresholds)US [1]US R&B [2]UK [3]Funkadelic: Released: February 24, 1970; Label: Westbound Formats: Vinyl, CD 126 8
Its purpose is also (as the cover claims) to "rescue dance music from the blahs." [7] The cover art depicts George Clinton in a Huey Newton-Black Panthers pose. [8] The album features the band's last big hit single, "(Not Just) Knee Deep", an edited version of which went to number one on the Billboard Soul singles charts.
Compared to Funkadelic's earlier output, which was characterized by sound typical for rock music, this song has sound more typical for dance music. The lyrics refer to dancing as a way to freedom. The song opens with the lyrics "So wide, you can't get around it/ So low, you can't get under it/ So high you can't get over it."
The bonus-EP of Funkadelic's One Nation Under a Groove (1978) included a live version of the song featuring Hampton. One of his most celebrated performances is the lead guitar solo on the Funkadelic hit single "(Not Just) Knee Deep" from 1979, as well the title track to the Brides of Funkenstein's second album Never Buy Texas From A Cowboy.
The Greenwood Encyclopedia of Rock History (2006) claimed that Maggot Brain and Funkadelic's previous two albums "created a whole new kind of psychedelic rock with a dance groove". [28] Music historian Bob Gulla hailed it as an "iconoclastic funk-rock" record, featuring the best guitar playing of Hazel's career. [29]
In a positive review, AllMusic's Ned Raggett felt that both the album and title track are worthy of the credo and that the other songs range from "the good to astoundingly great." [ 8 ] Record Collector magazine's Paul Rigby called Free Your Mind a "superb" album which mixes "a dirty groove with wacked-out sound effects and razor-sharp lyrics ...