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Paul Engelmann (14 June 1891 – 5 February 1965) was an architect who worked in Olmütz (Olomouc) and in Vienna and is now best known for his friendship with the philosopher Ludwig Wittgenstein between 1916 and 1928, and for being Wittgenstein's partner in the design and building of the Stonborough House, in Vienna. [1]
Wittgenstein worked on Haus Wittgenstein between 1926 and 1929. The initial architect was Paul Engelmann, someone Wittgenstein had come to know while training to be an artillery officer in Olomouc. [1] Engelmann designed a spare modernist house after the style of Adolf Loos: three rectangular blocks. Wittgenstein showed a great interest in the ...
Wittgenstein wanted to emigrate to Russia, first in the twenties, as he wrote in a letter to Paul Engelmann, and again in the thirties, either to work as a labourer or as a philosophy lecturer. Cornish argues that given the nature of the Soviet regime, the possibility that a non-Marxist philosopher (or even one over whom the government could ...
Wittgenstein thought the latter was Moore's "best article", but despite that he did not think Moore's 'proof' of external reality decisive. Apparently at the instigation of his close friend Norman Malcolm in mid-1949, Wittgenstein began to draft his response on loose sheets, probably while staying in Vienna in late 1949 and early 1950.
Wittgenstein's first teaching job was in Trattenbach, a village between Vienna (Wien) and Graz. In August 1918 Wittgenstein completed his Tractatus Logico-Philosophicus, first published in 1921 in Germany, and widely regarded as one of the most important works of 20th-century philosophy. After military service during the First World War, he ...
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief (German: Vorlesungen und Gespräche über Ästhetik, Psychoanalyse und religiösen Glauben) is a series of notes transcribed by Yorick Smythies, Rush Rhees, and James Taylor from assorted lectures by Ludwig Wittgenstein, and published in 1966. [1]
Paul Wittgenstein (November 5, 1887 – March 3, 1961) was an Austrian-American concert pianist notable for commissioning new piano concerti for the left hand alone, following the amputation of his right arm during the First World War. He devised novel techniques, including pedal and hand-movement combinations, that allowed him to play chords ...
In the Remarks, Wittgenstein famously described Frazer as more savage than those he studied, and was exceptionally critical of Frazer's interpretations [3] of primitive mythology, Christianity, and epistemology. The remarks were later included in full in an anthology of Wittgenstein's miscellaneous work called Philosophical Occasions 1912-1951.
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