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Speakers of non-rhotic accents, as in much of Australia, England, New Zealand, and Wales, will pronounce the second syllable [fəd], those with the father–bother merger, as in much of the US and Canada, will pronounce the first syllable [ˈɑːks], and those with the cot–caught merger but without the father–bother merger, as in Scotland ...
The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
The tone letters are not derived from an alphabet, but from a pitch trace on a musical scale. Beyond the letters themselves, there are a variety of secondary symbols which aid in transcription. Diacritic marks can be combined with the letters to add tone and phonetic detail such as secondary articulation. There are also special symbols for ...
In Western classical music, obbligato (Italian pronunciation: [obbliˈɡaːto], also spelled obligato [1]) usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ad libitum. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or ...
The word is intended to be pronounced in the same way as fish (/ f ɪ ʃ /), using these sounds: . gh, pronounced / f / as in enough / ɪ ˈ n ʌ f / or tough / t ʌ f /;; o, pronounced / ɪ / as in women / ˈ w ɪ m ɪ n /;
The five remaining 'DWTS' couples get set to perform both a redemption dance and a freestyle dance on the finale.
Ranchera (pronounced [ranˈtʃeɾa]) or canción ranchera is a genre of traditional music of Mexico. It dates to before the years of the Mexican Revolution. Rancheras today are played in the vast majority of regional Mexican music styles. Drawing on rural traditional folk music, the ranchera developed as a symbol of a new national consciousness ...
Chon's music was noted [by whom?] for its use of complex harmony with heavy emphasis on extended chords, as well as the odd time signatures and polyrhythms typical of the progressive rock genre. Chon's music often features counterpoint between two guitars with one instrument panned to the left and one to the right.