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Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The shamisen , also known as sangen or samisen (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian. It is played with a plectrum called a bachi .
The sanshin (三線, lit., "three strings") is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese shamisen . Often likened to a banjo , it consists of a snakeskin -covered body, neck and three strings.
The kokyū (胡弓) is a traditional Japanese string instrument, the only one played with a bow. A variant of the instrument also exists in Okinawa, called kūchō (胡弓) in Okinawan. The kokyū, like the shamisen, has its origins in Okinawa. Although it is similar to Chinese huqin, it actually came to Okinawa via the rebab from Indonesia and ...
19th century yamato-goto (shown here without bridges); collection of the Tokyo National MuseumThe yamatogoto (大和琴 / やまとごと), also called wagon (和琴 / わごん) and azumagoto (東琴 / あずまごと), is a six- or seven-stringed plucked bridge zither which, unlike the koto and other stringed instruments, is believed to be truly native to Japan, and not imported from ...
This variety of instrument came in two basic forms, a zither that had bridges and a zither without bridges. An 1878 depiction by Settei Hasegawa of a woman playing the koto. When the koto was first imported to Japan, the native word koto was a generic term for any and all Japanese stringed instruments.
The taishōgoto (大正琴), or Nagoya harp, is a Japanese stringed musical instrument. The name derives from the Taishō period (1912–1926) when the instrument first appeared. It has also become naturalized in East Africa, often under the name Taishokoto. [1]
The instrument was used to accompany songs or dances, or played solo. [1] [4] The tonkori was traditionally played by both men and women. [11] One description of traditional tonkori technique noted that a player would strum across all the strings, and then pluck a single string with his opposite hand. [12]