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book chapter:verse 1 –verse 2 for a range of verses (John 3:16–17); book chapter:verse 1,verse 2 for multiple disjoint verses (John 6:14, 44). The range delimiter is an en-dash, and there are no spaces on either side of it. [3] This format is the one accepted by the Chicago Manual of Style to cite scriptural standard works
The verse could also just mean flowers in general, rather than a specific variety. "In the field" implies that these are the wildflowers growing in the fields, rather than the cultivated ones growing in gardens. Harrington notes that some have read this verse as originally referring to beasts rather than flowers. [6]
In the King James Version of the Bible the text reads: 27 was said by them of old time, Thou shalt not commit adultery: 28 But I say unto you, That whosoever looketh on a woman to lust after her hath committed adultery with her already in his heart. The World English Bible translates the passage as: 27 "You have heard that it was said,
It does seem anachronistic to transliterate and capitalize it 'Gnosis' as the Kroegers do. They thus explain verse 13 as an answer to the false notion that the woman is the originator of man with the Artemis cult in Ephesus that had somehow crept into the church, possibly by way of the false teaching.
Name in Hebrew reads שלומית (Shlomit) and is derived from Shalom שלום, meaning "peace". Matthew, Mark [173] [174] Salome #2 – a follower of Jesus present at his crucifixion as well as the empty tomb. Mark [175] Samaritan woman at the well, or Photine is a well known figure from the Gospel of John; Sapphira – Acts [176]
Bathsheba at Her Bath (or Bathsheba with King David's Letter) is an oil painting by the Dutch artist Rembrandt (1606–1669), finished in 1654.. A depiction that is both sensual and empathetic, it shows a moment from the Old Testament story related in 2 Samuel 11 in which King David sees Bathsheba bathing and, entranced, impregnates her. [1]
Mary, the mother of Jesus in Christianity, is known by many different titles (Blessed Mother, Virgin Mary, Mother of God, Our Lady, Holy Virgin, Madonna), epithets (Star of the Sea, Queen of Heaven, Cause of Our Joy), invocations (Panagia, Mother of Mercy, God-bearer Theotokos), and several names associated with places (Our Lady of Loreto, Our Lady of Fátima).
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...