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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
A life drawing is a drawing of the human figure, traditionally nude, from observation of a live model. Creating life drawings, or life studies , in a life class , has been a large element in the traditional training of artists in the Western world since the Renaissance.
During these residencies, Berry, utilizing colored pencils, a cross-hatching technique and limited palette, created a series of still-life drawings focusing on the effect of light on geometric solids, which he constructed from paper. Drawing the solids axonometrically in order to "distance the viewer", Berry introduced objects from everyday ...
Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings.
He also has been exhibiting pencil drawings from that time. The still-life pencil drawings on paper are drawings of boxes and used packaging he collects from recycled rubbish. These found objects are grouped together in different positions before they are drawn. [3] David Booker's drawings are a real celebration of the recovered element.
Pronkstilleven (Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, characterised by large and complex compositions and an elaborate palette. Pronkstillevens typically depict a wide variety of objects, fruits, flowers and inanimate animals, often accompanied by live human and animal figures.
Still Life with Bread and Eggs (Le pain et les oeufs) is an 1865 painting by Paul Cézanne in the collection of the Cincinnati Art Museum. It is considered one of Cézanne's most important early still life paintings. In 2022 it was discovered it had been painted over an earlier portrait, possibly a self-portrait.
Carole Doyle Peel (1934 in Los Angeles, CA – 2016 in Berkeley, CA) was an American visual artist, best known for her portraits and still life drawings in graphite, gouache, and watercolor. The work combines appreciation for classical and Old Master painting and drawing with contemporary subjects.