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0 3 7: Minor Minor chord: ... List of musical scales and modes; ... Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic ...
Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor.)
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". [2] A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3 ...
This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in ...
A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. m (M7). For example ...
For example, the cycle of thirds is inherently important to chord construction, as most triads are built on the cycle of thirds. [2] Because the circle of thirds is based on the order of thirds in a scale, rather than its ascending scale degrees, the scale degrees of the cycle are in the following order: 1-3-5-7-2-4-6. In the key of C, the ...
The diminished triad can be used to substitute for the dominant seventh chord. In major scales, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad.
In diatonic harmony, the half-diminished seventh chord occurs naturally on the seventh scale degree of any major scale (for example, B ø 7 in C major) and is thus a leading-tone seventh chord in the major mode. [3] Similarly, the chord also occurs on the second degree of any natural minor scale (e.g., D ø 7 in C minor). It has been described ...
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