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Its domestication goes back to the night of time, so that the early traditions enshrined in the Bible speak of the first men as shepherds. Whatever may be thought of this point, it is out of question that from the dawn of historical times down to our own, flocks have constituted the staple of the riches of the land.
This late 15th-century Flemish miniature shows the annunciation to the shepherds. The annunciation to the shepherds is an episode in the Nativity of Jesus described in the Bible in Luke 2, in which angels tell a group of shepherds about the birth of Jesus. It is a common subject of Christian art and of Christmas carols.
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The adoration is an episode in the nativity narrative of the Gospel of Luke.Shepherds are watching their flocks by night, apparently near Bethlehem, when an angel appears to announce the good news that "today in the City of David a Saviour has been born to you; he is the Messiah, the Lord". [1]
Each person seems lost in their thoughts and their eyes appear directed towards Jesus. Among the gathered there is a second woman, a maid, holding a vessel of water. There is no donkey or ox among the animals, only a sheep that appears chewing the hay. The child is lying in a wicker basket and not in a manger, as the tradition says.
The Adoration of the Shepherds shows a nocturnal scene with Mary bending over the Child in prayer. Joseph is standing over them holding a candle, but the main light source is coming from the crib. The Child lies on a bed of hay that matches his Mother's halo, surrounded by winged cherubs.
The Parable of the Mote and the Beam by Domenico Fetti c. 1619. The Mote and the Beam is a parable of Jesus given in the Sermon on the Mount [1] in the Gospel of Matthew, chapter 7, verses 1 to 5.
The hair on his head were white like wool, and his eyes were like blazing fire. His feet were like burnt bronze glowing in a furnace (...) His face was like the sun shining in all its brilliance" (Revelation 1:12–16, NIV). Use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself, and ...
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