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In most cases, a sharp raises the pitch of a note one semitone while a flat lowers it one semitone. A natural is used to cancel the effect of a flat or sharp. This system of accidentals operates in conjunction with the key signature, whose effect continues throughout an entire piece, or until another key signature is indicated.
In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat. When there is more than one flat, the tonic is the note of the second-to-last flat in the signature. [11] In the major key with four flats (B ♭ E ♭ A ♭ D ♭), for example, the second to last flat is A ♭, indicating a key of A ...
In music, sharp – eqv. dièse (from French) or diesis (from Greek δίεσις) [a] – means higher in pitch. The sharp symbol, ♯, indicates that the note to which the symbol is applied is played one semitone higher. The opposite of sharp is flat, indicating a lowering of pitch.
Flat The flat symbol lowers the pitch of a note by one semitone. Sharp The sharp symbol raises the pitch of a note by one semitone. Natural A natural cancels a sharp or flat. This sharp or flat may have been indicated as an accidental or defined by the key signature. Double flat A double flat lowers the pitch of a note by two semitones. Double ...
In music, flat means lower in pitch. It may either be used generically, meaning any lowering of pitch, or refer to a particular size: lowering pitch by a chromatic semitone. A flat is the opposite of a sharp (♯) which raises pitch by the same amount that a flat lowers it. ♭
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
For orchestration of piano music, some theorists recommend transposing the music to F major or G major. If F-sharp major must be used, one should take care that B♭ wind instruments be notated in A-flat major, rather than G-sharp major (or E♮/B♮ instruments used instead, giving a transposed key of D major/G major).
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