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The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...
During the early days of King Huai's reign, Qu Yuan was serving the State of Chu as its Left Minister. [1] However, King Huai exiled Qu Yuan to the region north of the Han River, because corrupt ministers slandered him and influenced the king. [1] Eventually, Qu Yuan was reinstated and sent on a diplomatic mission to the State of Qi. [10]
It tells the story of Qu Yuan, a Chinese poet and government official known for his accomplishments during the Warring States Era. In the fictionalized dramatization, Qu Yuan falls in love with a slave girl named Mo Chou Nu. Their love is a forbidden romance, which is complicated by palace politics and the affairs of the nation.
Lament for Ying (Chinese: 哀郢; pinyin: Āi Yǐng) is a poem which has sometimes been attributed to Chinese poet Qu Yuan, and dated to around 278 BCE.Lament for Ying is from the "Nine Declarations" (Jiu Zhang) section of the Chuci poetry anthology, compiled in ancient China.
This is a list of the sections and individual pieces contained within the ancient poetry anthology Chu Ci (traditional Chinese: 楚辭; simplified Chinese: 楚辞; pinyin: chǔ cí; Wade–Giles: Ch'u Tz'u), also known as Songs of the South or Songs of Chu, which is an anthology of Classical Chinese poetry verse traditionally attributed to Qu Yuan and Song Yu from the Warring States period ...
Jiu zhang is a transliteration of the title of this section of the Chu ci. Jiu means nine, as in the number. It is not entirely clear why this number was chosen to divide this work into sections, although performance purposes or imitation of prior Chu ci works are both likely factors.
The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
Various interpretations of "The Great Summons" have been made, as to whose soul is being summoned, by whom, and in what context. According to a historically unlikely tradition, Qu Yuan was on the verge of suicide for political reasons, and wrote "The Great Summons" to persuade himself to cling to life.