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The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the Celtic churches in the west.
As well as being Bacon's first large format triptych, Three Studies for a Crucifixion introduced the later and often repeated visual motif a human body turned inside out. This idea was drawn from a long tradition in art history, and was influenced strongly by Rembrandt's Side of beef and Chaïm Soutine's Carcass of Beef. [5]
Triptych, May–June 1973 was purchased at auction in 1989 by Swiss businesswoman Esther Grether for $6.3 million ($15.5 million as of 2023), then a record for a Bacon painting. [7] [8] [9] Grether is believed to own three other Bacon triptychs from the 1970s. Triptych March 1974 1974 Catalogue Raisonné Number 74-02 Oil on canvas 198 x 147.5cm ...
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
The Three Studies are generally considered Bacon's first mature piece; [3] he regarded his works before the triptych as irrelevant, and throughout his life tried to suppress their appearance on the art market. When the painting was first exhibited in 1945 it caused a sensation and established him as one of the foremost post-war painters.
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