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Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker widely known for his subtly muted still-life paintings of ceramic vessels, flowers, and landscapes—their quiet, meditative quality reflecting the artist's rejection of the tumult of modern life.
Unlike the Netherlands, the painting of still life and genre painting did not attract as many practitioners among Italian painters. This is a partial list of still life painters active or born in Italy, concentrating on painters from before the 20th century.
Kasimir Malevich (1878–1935), Russian painter, pioneer of abstract art; Josef Albers (1888–1976), German-American painter; Giorgio Morandi (1890–1964), Italian Still-life painter, proto-Minimalist; Barnett Newman (1905–1970), American painter, abstract expressionist; David Smith (1906–1965), pioneer of geometric and minimalist sculpture
In Joan Miró's still-life paintings, objects appear weightless and float in lightly suggested two-dimensional space, and even mountains are drawn as simple lines. [66] In Italy during this time, Giorgio Morandi was the foremost still-life painter, exploring a wide variety of approaches to depicting everyday bottles and kitchen implements. [69]
Giorgio Matteo Aicardi (1891–1985) Francesco Albani (1578–1660) Giacomo Albé (1829–1893) Giacomo Alberelli (1600–1650) Mariotto Albertinelli (1474–1515) Pietro Antoniani (c. 1740–1805) Ambrogio Antonio Alciati (1878–1929) Domenico Alfani (1479/1480–c. 1553) Girolamo Alibrandi (1470–1524) Silvio Allason (1845–1912) Giuseppe ...
Italian law makes an important distinction between "works of photographic art" and "simple photographs" (Art. 2, § 7). Photographs that are "intellectual work with creative characteristics" are protected for 70 years after the author's death (Art. 32 bis), whereas simple photographs are protected for a period of 20 years from creation.
It is worth mentioning in the graphic field Giorgio Morandi, an artist only temporarily ascribed to futurism and of personal evolution. He focused mainly on the representation of objects—often still lifes—in a style that combined classicism and cubism, with a certain cézannian influence.
"NOT Morandi", 1984–1986, Bidlo completed a series (concentration and recreation) of still life paintings by Giorgio Morandi. "NOT Morandi" paintings were shown in dual exhibitions in Rome and New York. "Picasso's Women 1901–1971", Bidlo began a series of paintings that was called, "Picasso's Women 1901–1971" [7] in 1987 in which he ...
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