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The song contains humorous and ironic references to sex [1] and death, and many versions have appeared following efforts to bowdlerise this song for performance in public ceremonies. In private, students will typically sing ribald words. The song is sometimes known by its opening words, "Gaudeamus igitur" or simply "Gaudeamus".
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
"The Water Is Wide" may be considered a family of lyrics with a particular hymn-like tune. [1]"O Waly Waly" (Wail, Wail) may be sometimes a particular lyric, sometimes a family tree of lyrics, sometimes "Jamie Douglas", sometimes one melody or another with the correct meter, and sometimes versions of the modern compilation "The Water Is Wide" (usually with the addition of the verse starting "O ...
The song was also included on the 1956 album The English and Scottish Popular Ballads vol IV by A. L. Lloyd and Ewan MacColl, using Kidson's melody. [13] The first recorded version using the best-known melody was performed by Audrey Coppard on the 1956 album English Folk Songs. [14]
"The Twelve Days of Christmas" is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their "true love" on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).
Roger Quilter's setting of the song was included in the Arnold Book of Old Songs, published in 1950, with new lyrics by Rodney Bennett. Benjamin Britten's arrangement for voice and piano was published in his Folk Song Arrangements, Vol 1: The British Isles (1943) Around 1962 a song called "The Irish Free State" was written to this tune. [5]
The song is a ballad, first published on a broadside in the early nineteenth century. [1] Cecil Sharp collected eight versions of the song, [2] particularly in Somerset, England, but also in the United States. [3] Early versions of the song refer to her fear of the "bugaboo" rather than the foggy dew, [4] as do
[7] The song was seized upon by the Jacobites, who altered Thomson's words to a pro-Jacobite version. [ 8 ] According to Armitage [ 9 ] "Rule, Britannia" was the most lasting expression of the conception of Britain and the British Empire that emerged in the 1730s, "predicated on a mixture of adulterated mercantilism, nationalistic anxiety and ...